Grey is Okay

What a day.

Grey, dark, drizzly and humdrum.

In other words, the most glorious kind of day to be plonked in front of a computer doing editing, sound recording and mixing, DVD making and generally being antisocial.

No worries about wasting good weather, no stigma against staying home all day drinking cups of tea and eating biscuits. Perfect.

Except I'm not at my home computer doing my editing. I'm at work doing work editing.

Ho hum, best make the most of it.

There is something very comforting about a grey day.

Some have described the feeling as schadenfreude, notably the cast (and puppets) of Avenue Q in their song of the same name:

'Don't you feel all warm and cosy, watchin' people out in the rain?'

Well, being generally well disposed and sympathetic to people out in the rain, I think there is a more innocent pleasure in being at home on a grey day. It does allow one the kind of impunity to actually be at home I have already described, but also has a kind of nostalgic ache to it.

Sitting here I am reminded of probably one of the best shows ever created by the BBC, or rather trilogy of shows, by the brilliant television writer Alan Plater: The Beiderbecke Triology.

Set in the often grey, run-down and shabby area of inner city Leeds, still looking similar 24 years after it was filmed, there was an amazing warmth and humanity about the show, as well as being wonderfully funny, clever, tense, romantic, exciting and blending all these elements seamlessly. Its beautifully drawn main characters Trevor and Jill were a joy, and James Bolam and Barbara Flynn bring them to life with subtle brilliance.

Listen to me, I'm gushing.

The point is, it is the televisual equivalent of curling up on the sofa under a blanket with a fire on a grey day. You feel nice, shiver occasionally, and enjoy the feeling of home.

I hope my work gives people something of that same comfort, although I'll need to work hard to be as good as Alan Plater.

In film news, just about everything is finished except the voiceover work for Eden and a very special, super-secret project that I will unveil at the screening :D

Make way for film!

Jim

Spooky Scary Skeletons (and menu)

As you may have noticed, this blog is not a place where I generally put film reviews or recommendations (except for friends) however I advise you check out the funny, unique and touching film Skeletons, filmed in nearby (for me) Matlock Bath.

I was lucky enough to attend last night and see director Nick Whitfield, a charming and down-to-earth fellow who told us a little of the film's genesis and his experiences.

Himself a theatre director before moving to film, some of his comments led me to contemplate the differences between theatre and film, and the reasons why I have never been drawn to theatre as a career. I think it has something to do with control, memory and closure.

Every night a theatre production is different, with new directions, tensions and strengths, and when it is over it is never really over.

A film is, for better or worse, always exactly what it is and nothing else. Complete, enclosed, a loop which cannot be broken.

A play is a living thing, whereas a film is something preserved in amber. Both are equally beautiful, but I think I know why I hold the preference I do.

Control has always been a big part of working for me, not control of people or content, but control of beginning and ending, times and limitations. But even more important is closure. Things have to be finished.

One of things that thankfully *has* been finished (see how I linked that in), is the menu for Sunday...

SCREENING NOM NOMS

for your delectation

Vol-au-Vents

* Prawn Mayonnaise

* Sausage Meat

* Creamed Mushroom

* Mini Tomato Quiche

* Chicken

Additional Food

* Cocktail Sausages

* Chicken Strips

* Quorn Goujon

* Dips and dipping things

Drinks

* Bucks Fizz

* Various Juices

* Water

Also,

*Cupcakes! With frosting!

They will probably look like this. If I can get purple food colouring.

Now, I know y'all gonna want some of this fine cuisine, however I have to stress again in my Obsessive Compulsive way, your Facebook Attending Status HAS TO BE ACCURATE. If I'm making more or less food than will be needed, things become difficult.

We don't want things to be difficult, do we?

And though it pains me to say, I can't be slaving over a hot stove for 'Maybe Attending'. Just so's you knows :D

Make way for film!

Jim

I Need Direction

Okay, everyone. Here are the important bits!

General Info

Date: Sunday 8th August

Time: 5:30pm to 11:30pm

The address of the gallery is:

Jasmine Cottage

117 Chaddesden Lane

DE21 6LL

And it looks like this.

Directions:

For those getting a Taxi

Ask for Chaddesden Lane; look out on your right hand side for a church. When you see this, ask to stop. On the left hand side of the road, a few feet up from the church, is Jasmine Cottage; you will see signs there saying ‘Art Gallery’ on an adjoining fence. Enter the courtyard through the door in the fence, and follow signs to the gallery.

For those with a Car

The main thing here is to get onto Nottingham Road.

From Derby, the best way to do this is via The Cock Pitt onto St Alkmund’s Way and then head up to Pentagon Roundabout. Take the third exit onto the A52. Carry on into Chaddesden, passing the Cemetery and Fire Station. You will come to a gas station and a row of shops on the LEFT. Immediately after these, turn into the left, which is Chaddesden Lane. Head up here for half a mile, until you see a church on your right hand side. When you see this, find a place to park; probably best to park down Church Lane, also on your right.

Opposite church lane is Jasmine Cottage; you will see signs there saying ‘Art Gallery’ on an adjoining fence. Enter the courtyard through the door in the fence, and follow signs to the gallery.

From Nottingham, I’d check google maps if I were you. I’m tired of writing directions.

For Those Without a Car

Take one of these busses from the Bus Station...

The Indigo

Rainbow 4

to Chaddesden Lane End. The bus will tell you when this stop is, because Trent Barton busses are clever.

If you are coming from Derby, double back from the bus stop, passing the Toby Carvery and take the first right, onto Chaddesden Lane.

If you are coming from Nottingham, cross the road near the nearest traffic lights, walk past the row of shops on your left hand side and head up Chaddesden Lane.

Then carry on up Chaddesden Lane for about half a mile, staying on the left hand side. The going is slightly awkward because the pavement doesn’t carry on constantly on both sides (bad design) but after a while you will pass a church on the right hand side. Just after this you will meet probably the most difficult part of the journey, literally creeping along a wall outside a house to avoid getting squashed.

This, my friends, is what you call a Death Wall.

This house is Jasmine Cottage; when you have finished creeping along the death wall, you will be able to escape into a fenced area. Let yourself in through the door, and you will find yourself in a courtyard. Then simply follow signs to the gallery.

The menu will appear soon!

Remember, if you need to contact me for any reason, write to...

jbmoore@live.co.uk

Also anyone who hasn't got my mobile number can request it.

Make way for film!

Jim

The Green Green Grass of Over There

The grass is always greener on the other side.
At least, there always seem to be flowers growing over there that you can't grow over here.
As an employed person who earns a decent wage, I feel like an arse whinging to people who have been spending months trying to get employment with no success, for seemingly no reason other than that the universe has it in for them.
However there is no denying the fact that I am becoming more and more unsatsfied with the free-time filmmaking approach endemic in a 9-5. I knew it would happen. It is an integral part of Moore's Equation Of Why Things Never Get Done (TM).

If x >/= 1, y = 0

When x = inclination, y = money
When x =money, y= time
When x = time, y = inclination

I have been feeling more and more stretched for the past weeks, desperately fighting the unstoppable juggernaut of time, spending days gritting my teeth to stumps watching HOURS of good film making time go by.
And it seems that things tend more often than not to conspire to stop me using the precious time I have to do what I want. Unavoidable engagements, unavilable people and unforseeable weather have all scuppered getting Easter Egg finished in time for the screening next week, and are seriously calling into question whether I can finished other project done.

The Screening!
YES! Bet you'd thought I'd forgotten, dintcha? Well I haven't. So screw you.
Tomorrow I will be sending out the order of the day and intructions on how to get there,
as well as further invites and the menu for food and drink.

Watch this spacem, and make way for film!
Jim

First Past The Post At Last

Hello everyone!

I'm very happy to announce that After Ate, starring many awesome people like the Loaf of Doom, is FINALLY FINISHED.

This has been on the cards since January, and was lacking about 30 seconds of footage to make it possible; now it has been completed with some fun music and titles, and will therefore be ready for the screening.

This is now being officially transferred to THE 8TH OF AUGUST AT 5:30.

I am really, really sorry if this makes it impossible for some people to attend :( I really want everyone there, and I'm sorry to change it at this late date but I'm so bogged down with work, both film and office, that it would be very stressful and half assed to do it on the original date.

In other news, I have a new logo!

Sort of.

I'm not 100% happy with it yet. See what you think.

Make way for film!

Jim

NB:

This is for the many people who seem to be getting (understandably) frustrated about the fact that I have not, as yet posted ANY VIDEOS except the After Ate teaser.

Why do I gots to be so mean?

Well, my motivations are thus: I really want the people who have helped me make my films, who I have relied on to give their time and effort, to see the films in an exclusive and special environment, the half-year screening. After the screening I will be posting all of them on Vimeo, the public domain, for anyone to see. But until then they remain with me...believe me, its frustrating me too, but ah'mma gonna stick by my guns on this one.

There's A Whole Lot Still To Do

Okay, peeplings.

It seems like the screening may have to be pushed forward a week to the 7th of August thanks to work (groan) but fear not, things are still good.

Plastic Vultures Trailer? Done.

Inbetweenland Trailer? Done.

Judge N Jury? Done.

Freeman Michael Brothers Property Law Firm? Done

After Ate? Finally shooting has finished thanks to Mr. Chris, and this is well on the way and looking spiffy despite cardboard props

Easter Egg? Still not filmed, dammit!

Others? Waiting.

In the meanwhilst, I will give you some screen shots of 'film poem' Eden, which should be at the screening too. By the way, I need voice actors to help me with this one, so if you're up for it and available that would be ace ^_^

I like pretty things.

Make way for film!

Jim

Perils of Ice Cream

Hello everybody!

Well, things are hotting up...slightly. The tyranny of a 9-5 makes it hard to make films (although of course not having one would make it impossible to actually fund them) but there are some spaces.

I put together teaser trailers for Inbetweenland and Plastic Vultures (like I totally said I would)...but lookee here! I'm not the only one making teaser trailers...

Heh. Sexes.

This is from my buddy The Cake Maker, from a play what he wrote. The footage was shot by me, over one hectic day in the historical Buxton. I must say the black and white makes it very nice indeed, a good choice that man.
Starring are some other wonderful friends of mine who are both stars.

Meanwhile, I am trying to find a way of shooting an ice cream cone in an interesting way.
It's a living, innit?

Make way for film!
Spekti


PS
Thanks peoples for the nice comments on my last post!
There are much appreciated ^^